DKV UPH Study Tour 2026 : Bandung

The Study Tour Bandung 2026 was held from June 2–5, 2026, involving Visual Communication Design students from Universitas Pelita Harapan, Class of 2025. The program aimed to broaden students’ understanding of art, design, culture, and history through direct engagement with Bandung’s creative landscape.

Throughout the four-day journey, students visited cultural destinations, galleries, creative spaces, and workshops. As a result, they gained firsthand experience of how art, design, and local heritage continue to shape contemporary society.

Study Tour Bandung 2026 with DKV UPH Class of 2025

The first day began with an exploration of Braga Street, one of Bandung’s most iconic historical districts. Surrounded by preserved colonial architecture and vibrant creative spaces, students observed how history and contemporary culture coexist within the city.

During the visit, the group explored Grey Art Gallery and enjoyed a special exhibition dedicated to PERSIB. The exhibition highlighted the cultural significance and history of one of Indonesia’s most beloved football clubs.

Afterward, students continued the journey aboard Bandros (Bandung Tour on Bus). During the 45-minute tour, they were introduced to various historical and cultural landmarks across the city. Among the sites discussed were Penjara Banceuy, Indonesia Menggugat, and several other important locations that played a role in Bandung’s historical development.

Through this experience, students developed a deeper appreciation of Bandung’s cultural identity and historical significance.

On the second day, students visited two sites closely associated with renowned Indonesian artist Sunaryo: Selasar Sunaryo Art Space and Wot Batu. Guided tours provided insight into Sunaryo’s artistic philosophy, creative process, and the meaning behind many of his installations.

In addition, students were encouraged to reflect on the relationship between art, nature, space, and human experience. By observing the works directly, they gained a better understanding of how artistic concepts can be translated into physical environments.

Selasar Sunaryo Visit

Later in the day, the group visited Saung Angklung Udjo, one of Bandung’s most celebrated cultural destinations. There, students enjoyed a series of traditional performances featuring Indonesian music, dance, and cultural heritage.

Furthermore, they participated in a special angklung-making workshop. This hands-on activity introduced students to the craftsmanship behind Indonesia’s traditional bamboo instrument while also highlighting its cultural importance.

Saung Angklung Udjo Cultural Performance and Workshop

The third day focused on practical learning experiences through a series of creative workshops.

The first destination was Batik Komar, where students learned about the history and development of Indonesian batik. They then participated in both Batik Cap and Batik Tulis workshops, creating their own designs while exploring traditional production techniques.

Through this activity, students gained a greater appreciation for the craftsmanship, patience, and attention to detail required in batik-making.

The workshop experience continued at NuArt Sculpture Park, home to the works of renowned Indonesian sculptor I Nyoman Nuarta. During the visit, students joined a guided tour of the sculpture park and explored several exhibitions within the complex.

Additionally, they watched documentary screenings that provided insight into Nuarta’s artistic journey and major projects. The visit concluded with a clay-making short course, allowing students to experiment with three-dimensional form and create their own sculptural works.

NuArt Sculpture Park Visit

Following three days of exploration, learning, and creative activities, the study tour concluded on the fourth day as students prepared for their return to Universitas Pelita Harapan.

Before departing Bandung, many students had the opportunity to purchase local souvenirs and reflect on the experiences gained throughout the program. Beyond the destinations visited, the trip offered valuable opportunities for observation, discussion, and creative inspiration.

We would like to express our sincere gratitude to Dwidaya Tour for their support and collaboration in organizing this study tour. We also thank all lecturers and staff members who accompanied and guided the students throughout the journey.

Lastly, thank you to all DKV UPH Class of 2025 students for their enthusiasm, participation, and willingness to learn. We hope the knowledge, inspiration, and cultural insights gained during this experience will continue to enrich your creative journey in the future.

Until the next adventure!

IMATYPE: Journal of Graphic Design Studies Vol. 3 No. 1


VCD UPH has just published IMATYPE: Journal of Graphic Design Studies Vol. 3 No. 1.

In this publication, there are seven articles containing research articles, designs, and also about design education. VCD UPH itself contributes three articles in the publication, namely:

  1. Analisis Permasalahan Identitas Visual Lawana Batik Indonesia by Jessica Valencia and Kartika Magdalena Suwanto.
  2. Analisis Masalah Identitas Visual Kedai Suwe Ora Jamu sebagai Upaya Pembaharuan Identitas Visual melalui Representasi Kultural by Angelyn Aurelia and Chandra Djoko Zuki.
  3. Design Case: Character Design Workshop for SDH Kupang Highschool Students by Brian Alvin Hananto, Ellis Melini, Alfiansyah Zulkarnain, Naldo Yanuar Heryanto, and Ferdinand Indrajaya.
Cover of IMATYPE: Journal of Graphic Design Studies Vol. 3 No. 1
Cover of IMATYPE: Journal of Graphic Design Studies Vol. 3 No. 1

Other articles on this publications are:

  1. Analisa Brand Identity Obalihara
  2. Perancangan Buku Panduan untuk Mencegah Postpartum Depreseeion untuk Calon Ibu dan Ayah
  3. Perancangan Buku Ilustrasi Interaktif Edukasi 3 Kata Ajaib: Maaf, Terima Kasih, dan Tolong untuk Siswa TK Negeri di Jabodetabek
  4. Strategi Visual untuk Rebranding Hanis Kitchen sebagai Peningkatan Citra

You can read and download each article freely through the Open Journal System of IMATYPE: Journal of Graphic Design Studies Vol. 3 No. 1 here.

IMATYPE Vol. 2 No. 2

IMATYPE: Journal of Graphic Design Studies, Volume 2, Number 2, has just been published. This academic journal is a collaborative effort between the Graphic Design concentration and the Editorial & Publication Design Lab of Universitas Pelita Harapan (LABDEhttps://labdep.uph.edu/P).

This publication contains seven articles, with three of the articles written by students and lecturers of UPH VCD. Here are the articles:

Peran Tipografi Eksperimental Terhadap Visualisasi Lagu Dalam Album Sinestesia

Angel Cristina (Graphic Design 2018), Ferdinand Indrajaya

Translated abstract:

Typography in the field of Visual Communication Design is generally understood as a means of communication in the form of a collection of letter characters that are composed in such a way as to convey a message. The message conveyed is not only informative, where typography is positioned merely as an instrument (as a arrangement of words) that functions to explain other visual communication media such as illustration or photography. Typography can also be understood more than just the arrangement of explanatory text for images (both illustrative or photographic). Its existence can be understood as a dramatic and expressive visual medium. As stated by Rob Carter, the anatomy of typographic forms can be further explored with the aim of achieving a more expressive form. This exploratory approach is applied to challenge traditional views of typography as instrumental and functional. The manipulation of form, space, texture, and color in typography is explored to go beyond traditional understanding. Such typographic exploration is usually understood under the title of experimental typography. This experimental effort will be applied to the Sinestesia album redesign project, where typography engages in a dialogue with the songs as content without forgetting its role in conveying the message. The visual design process stages will refer to Robin Landa’s design methodology.

Perancangan Desain Kemasan Untuk Origami Coffee Filter Kaldi Kraftware

Yolanda Ruth Theophanie Taruli Tumilisar (Graphic Design 2020), Brian Alvin Hananto, Lorentius Calvin

Translated abstract:

The UMKM Kaldi Kraftware brand is a social-preneur brand with the goal of creating products derived from the processing of waste, particularly plastic bottles found on beaches and rivers, especially in the Nusa Tenggara Barat region. Currently, Kaldi Kraftware is in the process of launching a new product, the Origami Coffee Filter, using recycled and processed plastic bottles. The challenge faced in the design process lies in storytelling, where the brand encounters difficulties in disseminating their story to the audience. In this academic work, the focus will be on the packaging design process for the Kaldi Kraftware brand, from data collection to design evaluation, along with the methodology used in the design process. Additionally, the discussion will delve into the design process, outlining various alternatives provided and direct evaluation results given by the owner.

Perancangan Desain UI/UX untuk Aplikasi Restoran Makanan Sehat Grains of Glory

Caroline Heliawanto (Graphic Design 2019), Ellis Melini

Translated abstract:

The busy lifestyle has led to demands for convenience and practicality in various aspects. Almost every industry leverages technology to sustain its business, resulting in an increase in online food ordering through smartphone applications. Recognizing this, Grains of Glory aims to utilize technology to encourage and facilitate the community in adopting a healthier lifestyle. To achieve this goal, Grains of Glory plans to design a smartphone-based food ordering application.


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