Indonesian Visual Culture: Cross Culture Exhibition

At the end of the semester, students from the Indonesian Visual Culture (Budaya Visual Indonesia) course concluded their learning journey with a final exhibition centered on the theme of Cross Culture. More than a showcase of finished works, the exhibition captured months of questioning, observing, and reinterpreting culture through each student’s own experiences.

Since the beginning of the course, students have explored culture beyond familiar symbols such as traditional textiles, historical artifacts, or regional customs. Instead, they examined culture as something living that grows through everyday rituals, personal histories, communities, media, and the many influences that quietly shape who we are.

Earlier in the semester, students looked inward by tracing their family histories, traditions, and personal artifacts. They mapped family trees and documented stories that revealed the cultural values passed down across generations. For the final project, they expanded that conversation. This time, they explored not only where they came from, but also what continues to shape them today.

Indonesian Visual Culture Course with VCD UPH 2025 Cohort

Weaving Identity Through Cross Culture

The Cross Culture project invited students to connect the many cultural influences that coexist within their lives. Family traditions met contemporary interests. Regional identities intersected with hobbies, online communities, favorite films, music, games, fashion, and countless other forms of visual culture.

Instead of treating these influences as separate worlds, students explored how they naturally intertwine. The project became less about combining different cultures and more about understanding how identity grows through the cultures we inherit, encounter, and choose to embrace.

Student Aileen reflected on the experience by sharing,

“I felt like this project really gave us room to explore because we could genuinely create something we love. It wasn’t just about bringing different cultures together. It was also about exploring the different cultures within ourselves.”

Her reflection captures the spirit of the assignment. Every student began with a different background, and every project reached a different conclusion. Even students who shared similar hometowns, ethnic backgrounds, or family traditions interpreted the theme in their own way. Their interests, memories, and personal experiences shaped every creative decision.

Every Identity Tells a Different Story

The diversity of the students’ experiences became visible in the final outcomes.

Students expressed their ideas through a wide range of media. Some designed illustrated posters that reimagined cultural narratives. Others created interactive card games and board games that invited audiences to participate in the stories they wanted to tell. Several students explored storytelling through handcrafted objects, including mail trinkets, crochet works, jewelry, blind boxes, and collectible pieces. Others experimented with chess sets, animation, and moving images.

Although many students shared similar cultural backgrounds, no two projects felt alike. Culture became something deeply personal rather than something fixed or universal. Each work reflected a unique combination of family history, personal interests, communities, and everyday experiences. Together, the exhibition showed how people can share the same heritage while telling completely different stories.

Designing the Exhibition Experience

The presentation itself became another creative challenge.

Rather than placing their work on a table, students designed displays that shaped how visitors would experience each project. For many students from the 2025 cohort, this was their first opportunity to think like exhibition designers.

The classroom transformed into a gallery filled with carefully planned installations, presentation boards, props, and display systems. Students considered every detail, from the arrangement of objects to the way viewers would move through the space. The display became part of the storytelling.

Sherina described the atmosphere with a smile,

“Everyone was really committed to their displays. People kept asking each other what they were planning to make, and it honestly turned into a friendly competition that pushed everyone to aim even higher.”

That excitement spread throughout the room. Students exchanged ideas, encouraged one another, and refined their displays until the last minute. Their conversations sparked new ideas and inspired each person to think more carefully about how audiences would experience the work.

Culture as a Living Conversation

Throughout the semester, Indonesian Visual Culture encouraged students to see culture as something that continues to evolve. It does not belong only to history or tradition. It also grows through everyday life.

As students reflected on themselves and the communities around them, they discovered that identity is never singular or fixed. Instead, it develops through encounters with people, places, traditions, media, and shared experiences.

Reflecting on the students’ journey, lecturer Yulia Amanda shared,

“As our exposure to cultures from around the world continues to grow, the visual language of Indonesia’s cross-cultural landscape becomes increasingly vibrant and rich.

Through our hands and our eyes, we continue creating so that culture can be felt, bringing together every sense until appreciation settles into the heart, grows into pride, and eventually returns as a deeper love for Indonesia.

Cultural acculturation is our strength.”

Adjunct Lecturer Yulia Amanda on BVI closing remarks.

Continuing the Conversation

The final exhibition concluded one semester of learning, but it also opened new questions about culture and identity.

Each project reminded us that culture is more than heritage preserved in museums or traditions passed down through generations. It also lives in the stories we inherit, the communities we join, the media we consume, and the passions we pursue. These influences become part of our identities, often in ways we do not immediately notice.

Throughout the project, students used design to better understand themselves and the world around them. They embraced the meeting point between inherited traditions and contemporary influences. In doing so, they discovered new ways to express their identities. The Cross Culture project ultimately reminds us that culture is not only something we preserve. It is also something we continue to shape, reinterpret, and carry forward every day.

DKV UPH Study Tour 2026 : Bandung

The Study Tour Bandung 2026 was held from June 2–5, 2026, involving Visual Communication Design students from Universitas Pelita Harapan, Class of 2025. The program aimed to broaden students’ understanding of art, design, culture, and history through direct engagement with Bandung’s creative landscape.

Throughout the four-day journey, students visited cultural destinations, galleries, creative spaces, and workshops. As a result, they gained firsthand experience of how art, design, and local heritage continue to shape contemporary society.

Study Tour Bandung 2026 with DKV UPH Class of 2025

The first day began with an exploration of Braga Street, one of Bandung’s most iconic historical districts. Surrounded by preserved colonial architecture and vibrant creative spaces, students observed how history and contemporary culture coexist within the city.

During the visit, the group explored Grey Art Gallery and enjoyed a special exhibition dedicated to PERSIB. The exhibition highlighted the cultural significance and history of one of Indonesia’s most beloved football clubs.

Afterward, students continued the journey aboard Bandros (Bandung Tour on Bus). During the 45-minute tour, they were introduced to various historical and cultural landmarks across the city. Among the sites discussed were Penjara Banceuy, Indonesia Menggugat, and several other important locations that played a role in Bandung’s historical development.

Through this experience, students developed a deeper appreciation of Bandung’s cultural identity and historical significance.

On the second day, students visited two sites closely associated with renowned Indonesian artist Sunaryo: Selasar Sunaryo Art Space and Wot Batu. Guided tours provided insight into Sunaryo’s artistic philosophy, creative process, and the meaning behind many of his installations.

In addition, students were encouraged to reflect on the relationship between art, nature, space, and human experience. By observing the works directly, they gained a better understanding of how artistic concepts can be translated into physical environments.

Selasar Sunaryo Visit

Later in the day, the group visited Saung Angklung Udjo, one of Bandung’s most celebrated cultural destinations. There, students enjoyed a series of traditional performances featuring Indonesian music, dance, and cultural heritage.

Furthermore, they participated in a special angklung-making workshop. This hands-on activity introduced students to the craftsmanship behind Indonesia’s traditional bamboo instrument while also highlighting its cultural importance.

Saung Angklung Udjo Cultural Performance and Workshop

The third day focused on practical learning experiences through a series of creative workshops.

The first destination was Batik Komar, where students learned about the history and development of Indonesian batik. They then participated in both Batik Cap and Batik Tulis workshops, creating their own designs while exploring traditional production techniques.

Through this activity, students gained a greater appreciation for the craftsmanship, patience, and attention to detail required in batik-making.

The workshop experience continued at NuArt Sculpture Park, home to the works of renowned Indonesian sculptor I Nyoman Nuarta. During the visit, students joined a guided tour of the sculpture park and explored several exhibitions within the complex.

Additionally, they watched documentary screenings that provided insight into Nuarta’s artistic journey and major projects. The visit concluded with a clay-making short course, allowing students to experiment with three-dimensional form and create their own sculptural works.

NuArt Sculpture Park Visit

Following three days of exploration, learning, and creative activities, the study tour concluded on the fourth day as students prepared for their return to Universitas Pelita Harapan.

Before departing Bandung, many students had the opportunity to purchase local souvenirs and reflect on the experiences gained throughout the program. Beyond the destinations visited, the trip offered valuable opportunities for observation, discussion, and creative inspiration.

We would like to express our sincere gratitude to Dwidaya Tour for their support and collaboration in organizing this study tour. We also thank all lecturers and staff members who accompanied and guided the students throughout the journey.

Lastly, thank you to all DKV UPH Class of 2025 students for their enthusiasm, participation, and willingness to learn. We hope the knowledge, inspiration, and cultural insights gained during this experience will continue to enrich your creative journey in the future.

Until the next adventure!

REFORMA

Get ready for an exciting and inspiring design experience. The Visual Communication Design Program of Universitas Pelita Harapan (UPH) proudly presents REFORMA 2025, a design exhibition that showcases the vibrant creativity and bold ideas of its students.

Venue: Townhall, Indonesia Design District – PIK 2
Date: July 12–13, 2025
Admission: Free Entry

What’s Happening at REFORMA?

REFORMA is more than just an exhibition — it’s a creative playground that invites everyone to explore, interact, and be inspired. Here’s what you can look forward to:

Art Market
Discover one-of-a-kind handmade items and creative products by UPH DKV students. A perfect place to shop for original souvenirs.

Photospot & Photobooth
Capture your favorite moments at our stylish and fun photo installations — ideal for your memories or social media content.

Creative Workshops
Join hands-on sessions led by students and mentors where you can learn new skills and immerse yourself in the design process.

Stampventure
Explore the exhibition in a playful and engaging way by collecting stamps from different zones and experiences throughout the event.

F&B Booths
Enjoy a variety of delicious food and beverages while taking in the creative atmosphere.

Mark your calendars, bring your friends, and don’t miss REFORMA 2025.
See you at the Townhall, Indonesia Design District – PIK 2, on July 12–13.

VCD UPH at Pra-Rakornas ASPRODI DKV

On Monday, October 7, 2024, VCD UPH attended an invitation from the Indonesian Association of Visual Communication Design Study Programs (ASPRODI DKV) to participate in the Pra-Rakornas held at ISI Yogyakarta. During the event, several new directives from ASPRODI were shared, along with discussions on the agenda for the upcoming Rakornas. Thank you, ASPRODI DKV, for the invitation. We hope these activities will continue to enhance collaboration and the quality of VCD education in Indonesia.

Group Photo of Pra-Rakornas ASPRODI DKV in ISI Yogyakarta

Photo provided by ASPRODI DKV.

Drajad Koncara in VCD UPH Public Lecture

On Tuesday, March 19, 2024, VCD UPH invites Mr. Drajad Koncara in a seminar as an appreciation for the “hidden gems” of modern Indonesian comics. This event delved into the strength of national style, techniques for producing art in comic format, and the artistic values that still exist and deserve to be advocated for in competition with the imported comic industry.

Students Looking at Mr. Drajad Koncara's Various Work
Students Looking at Mr. Drajad Koncara’s Various Work
Photo of Mr. Drajad Koncara and Participants of the Lecture
Photo of Mr. Drajad Koncara and Participants of the Lecture

Thank you, Mr. Drajad Koncara, for your time and opportunity to share your experiences and knowledge with all of us.

UPH Collaborates with Singapore Polytechnic to Bring Innovation to Villages

From YPPH Communications Office

In September, Universitas Pelita Harapan (UPH) hosted students from Singapore Polytechnic to partner with UPH students in applying design thinking to find innovative solutions to address some lingering problems faced by villages and informal urban settlements in Jakarta. This initiative was executed under LeX, a program initiated by the Singapore Polytechnic International (SPI) and supported by the Asia-Ready Exposure Program (AEP) ― a youth development program by the National Youth Council (NYC) Singapore. 

The program saw 30 students and three lecturers from SPI teaming up with 30 students and 13 lecturers from UPH School of Design (SoD) and Faculty of Science and Technology (FAST) to conduct social innovation design in Sukapura RW10 subdistrict, a poor riverbank community in North Jakarta, and Ciakar village in Tangerang regency on September 18-27, 2023. 

With the support of the local communities, they devised innovative programs such as riverbank community development and clean river initiatives, tempeh-making workshop, outdoor sportswear and equipment sewing, village school, making natural detergent from fruit peels, and oyster mushroom and worm farming. 

On the last day, the students held an exhibition in the form of a gallery walk to gather feedback from the UPH academic community, government officials, and the residents in the two locales. The solutions presented will have a positive impact on the local communities, and in the process, participating students were inspired to employ the knowledge and skills they learned at university to make a big difference in the world around them. 

UPH VCD at Minikino Film Week

Minikino Film Week (MFW) is an International Festival held from September 15th to 23rd, 2023, in Bali. This event includes film screenings and a film competition attended by international jurors, including Clarissa Jacobson (American Producer), Sebastien Simon (French Film Director), Kelly Lui (Film Programmer from Canada), and Pedro Toro (Artistic Director from Spain). DKV UPH (Visual Communication Design Department of UPH) was given the opportunity to screen student films in the Film Market. The four films included in the Film Screening are:

  1. “40 Hari Terakhir” (2022) Director: Michelle Hartawan
  2. “Bintang Jatuh” (2018) Director: Felicia Sugianto
  3. “Harum Melati” (2022) Director: Nadya Talitha
  4. “Kotak Suara Mei” (2022) Director: Adelene Dharmasaputra

Additionally, this year, DKV UPH students also received nominations in the Minikino Film Week National Competition Awards 2023, including:

  1. “Accidentally Intentional” by Kevin Rahardjo
  2. “Remembering the Serenade” by Muhammad Exsell Rabbani and Agnes Monica Hernadi
UPH VCD alumni with J. Baptista Anton, S.Sn., M.IKom, and Dr. Lala Palupi Santyaputri, S.Sn., M.Si. at MFW 2023

Alumni Gathering DKV 2018

The Alumni Gathering, organized by UPH’s DKV program, successfully reconnected alumni with their former professors on September 9, 2023, at Bottega Ristorante in Jakarta. The event began with MCs Regina and Elsa, followed by welcoming speeches from Mrs. Lala and Mrs. Elis, creating a warm and inclusive atmosphere. ICE Breaking mini-games facilitated interaction among attendees, while alumni participated in tracer studies, providing valuable insights into their post-graduation experiences. The evening featured a communal dinner and randomly selected door prizes, adding excitement to the gathering. Former lecturers actively engaged in discussions, fostering knowledge sharing and networking, ultimately achieving the event’s goal of strengthening bonds between alumni and educators.