Tag: universitas pelita harapan

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Typolog 2023 Webinar 3 Recap

On Friday, October 20, 2023, the Graphic Design specialization at UPH conducted the Typolog 3 Webinar with an alumni speaker from VCD UPH itself, Fredella Agatha. In this event, Fredella shared her experience in designing the ‘Pantjoran’ lettering as her final project. Fredella explained the process and also shared tips on lettering design with all the webinar participants.

Fredella Agatha, The Speaker for the Webinar, and Yolanda Tumilisar, The Moderator for the Webinar

In addition to Fredella’s sharing session, the Typolog 3 Webinar also featured the announcement of the winners of the Typolog 2023 competition. The Typolog 2023 competition challenged participants to create designs in the Tote Bag format, which would later be produced as merchandise by VCD UPH. The grand winner of the Typolog 2023 competition was Tiara Kiatama, a student of VCD UPH from the 2022 batch. Meanwhile, the favorite winner of the Typolog 2023 competition was Joshlyn Tee from UPH College.

“Berbeda-beda Tetapi Tetap Satu” by Tiara Kiatama

This work emerged from the exploration of the definition of “Nusantara,” which is a synonym for describing the unity of the Unitary State of the Republic of Indonesia introduced by Ki Hajar Dewantara in 1950. Nusantara refers to the unity of several islands, which I combined with Indonesia’s official motto, “Bhineka Tunggal Ika,” which means “Diverse But One.” The diversity of Indonesia, comprising various provinces, ethnicities, cultures, and religions, is the uniqueness of the Indonesian nation itself.

This concept resulted in this work, a collection of diverse typefaces, yet still displaying the number one. Diversity was also achieved through the use of different colors, but there was still a unifying element, including its placement within a text “box.”

This is my interpretation of the theme ‘Nusantara’ provided.

“The title of this work is Nusantara. This typographic work is inspired by the cultural diversity of Indonesia and draws inspiration from the art of wayang puppetry. Each letter in the word ‘Nusantara’ is inspired by the different shapes and styles of wayang characters. I attempted to incorporate the unique features and characteristics of various wayang characters into each letter. I also used wayang puppet heads in some of the letters. I played with the thin and thick aspects of the wayang figures and used them in letter composition to create an engaging design.

I created each letter’s sketch individually and drew inspiration from the trendy ‘molten chrome typography’ and sharp typography seen on various social media platforms because I believed this style was suitable for the wayang aesthetics. In the modern world, we often get caught up in new trends and things happening around us, and we tend to forget our rich and diverse culture. So, I incorporated trendy typography styles like combining different font styles into one text and experimenting with the typography composition to make Indonesian culture modern and trendy.”


Thank you to all participants, organizers, and everyone who participated during the Typolog 2023 event. Hopefully, we can meet again in Typolog or other activities.

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Alumni: Glory Josephine Immanuela

Photo of Glory Josephine Immanuela. Photo Provided by Glory Josephine Immanuela.

Hi, let me introduce myself. My name is Glory Josephine Immanuela, but I’m commonly called Goi. I’m an alumna of DKV UPH, specializing in Graphic Design, from the class of 2016. Up to this day, I’m working on a business that my friend and I founded back in 2018 during our time at university, which is a custom artwear venture called Rupa Cerita (located in Bogor).

My current opportunities and abilities are closely tied to the 3.5 years of education I received at DKV UPH. I’ve always considered my time in college as an incredible blessing from God because the knowledge, activities, opportunities, and campus facilities equipped me from various aspects. This included a highly comprehensive design discipline, knowledgeable professors, a library with quality reference books, insights into job opportunities for designers in the current design industry (both nationally and internationally), the opening of connections and job prospects, well-equipped design labs and computers, and simulations of the role of design within the broader community.

While nearly all the courses I took were memorable, and I still recall the ups and downs, there’s one moment in the Experimental Typography course that I’ll never forget. During my studies, I went through an identity crisis, finding it challenging to follow and adapt to the main task of graphic designers, which is to systematically, structurally, and measurably address communication problems with visuals. Perhaps my visual style was more dynamic, and not all creative briefs suited my approach. This created the impression that I might never meet the industry’s needs, and I felt that the industry would forever be boring and stressful. However, in the Experimental Typography class, the emphasis was on the level of exploration of typography, layout, and animation. And at one point, when the Head of the Department, Mr. Alfiansyah Zulkarnain, visited the class, he uttered a simple sentence, “Wow, this font is so Goi.” That’s when I felt understood and accepted. Finally, my self-confidence began to grow, allowing me to explore my own design character.

I’m grateful for the knowledge of Graphic Design that I gained at DKV UPH. It not only influenced my visual work but also my everyday life and work. Project and time management skills were greatly honed when working in teams, preparing me to deal with various individuals in the industry.

I will always recommend DKV UPH to young creatives who want to study design because at DKV UPH, you can learn from highly experienced professors who are still active in the design industry. The supportive facilities and environment are among the key factors in the development of students.

“For me, success isn’t about meeting the standards the world sets, but about developing one’s talents and fulfilling one’s own God-given calling to the best of one’s ability. That alone is sufficient.”

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Guest Lecture from Paperina & Heidelberg

Mr. Santoso Giving Lecture on the Class


On Tuesday, October 17, 2023, VCD UPH (Visual Communication Design at the University of Pelita Harapan) welcomed Mr. Nico Antonio Santoso (PT. Paperina Dwijaya) and Mr. Jaya Atmaja (PT. Heidelberg Indonesia) to the Printing Production class. Both of them attended as guest speakers in a lecture by industry practitioners. Thank you, Mr. Santoso and Mr. Atmaja, for your time in sharing your experiences at VCD UPH.

Produksi Cetak Class with Mr. Santoso and Mr. Atmaja
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Alumni: Rinaldo Hartanto

Photo of Rinaldo Hartanto. Photo provided by Rinaldo Hartanto.

Hello, I’m Rinaldo Hartanto. I’m an alumnus from the class of 2011. At the time I was studying, there were no specializations, but I was always interested in illustration. Currently, I work as a studio manager and printmaker at Black Hand Gang Printmaking Studio in Ubud, Bali. Additionally, I work as a freelance illustrator and artist.

I started my studies at DKV UPH in 2007. During my time at university, I was quite active in the Department Student Association, especially in events like Artbound and student art exhibitions. My favorite place to hang out was, without a doubt, the library. With its extensive visual archives, comprehensive design and art books, and comfortable spaces, I enjoyed spending hours working on assignments and reading in the library. The painting studio was also one of my favorite places, especially in the later semesters.

As someone involved in the world of visual arts and illustration, I was impressed by various courses that covered history, culture, and illustration, including:

  • History & Appreciation of Design by the late Mr. Yongky Safanayong
  • Oriental Art & Design History by the late Mr. Yongky Safanayong
  • Cross-Culture Design by Ms. Lala Palupi Santyaputri
  • Illustration by Mr. Donny Ibrahim
  • Painting by Mr. Donny Ibrahim

Even though I’m not currently working directly in the field of graphic design, DKV UPH equipped me with various practical skills and conceptual abilities related to systematic thinking, the graphic design paradigm as a visual problem-solving solution, creative concept development, and various pre-production processes in both print and digital graphic design.

I absolutely recommend others to learn at DKV UPH. Especially because of the passionate and caring teaching staff at DKV UPH. Currently, DKV UPH is equipped with excellent facilities such as printing and graphic studios. I’m somewhat envious of current students because they have access to these new facilities. So, for all you UPH students, make the most of these facilities while you can! The support system for students interested in film is also strong. I’ve noticed that many UPH students and alumni are showcasing their work at various film festivals.

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IMOVICCON 2023

IMOVICCON (International Moving Image Cultures Conference) is an academic event initiated by a joint effort of the Visual Communication Design Department of Universitas Pelita Harapan (UPH), Indonesia, and the Film Department of Universitas Multimedia Nusantara (UMN), Indonesia. This conference is held every two years, with the host alternating between UPH and UMN. The first conference was held in 2019, hosted by the Film Department of UMN.

This conference aims to bring together leading academic and research scholars to exchange and share their academic experiences and research results on all aspects of Moving Image Culture. This event also provides an interdisciplinary platform for researchers, practitioners, students, and educators to present and discuss the most recent innovations, trends, and concerns, as well as practical challenges, encountered, and solutions adopted in the fields of Moving Image Culture.

The 3rd IMOVICCON aims to celebrate moving images by looking at their past, present, and future. It’s necessary to examine the past, the present, and the future of moving images since the past can be used as a reflection site. The present tells how far we’ve come, and it is even more interesting to see what the future holds for moving image culture.

Ever since the invention of the Phenakistoscope until the development of the Metaverse, moving image culture continued to evolve and became a huge inspiration for various research and publications. Its transdisciplinary nature also makes moving images approachable by every methodology available, making it possible to be explored and researched by multiple scientific disciplines.

This conference is an academic space for students, lecturers, researchers, practitioners, and moving image enthusiasts to exchange and share academic experiences and disseminate their recent research on all aspects of moving images. Submissions can address any aspect, but not limited to, of the past, the present, and the future of moving images.

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Alumni: Daniel Sean

Daniel Sean. Photo provided by Daniel Sean

My time at Universitas Pelita Harapan was truly enriching, providing me with the opportunity to explore aspects of art that were previously unfamiliar to me. The university offered well-structured curricula and state-of-the-art facilities, which allowed students like me to maximize and refine our skills. Moreover, I had the pleasure of interacting with friendly and highly talented lecturers and friends who provided invaluable guidance throughout various assignments, employing diverse teaching methods. Sharing our unique drawing styles and creative work with one another was both enjoyable and beneficial.

One aspect of my education that significantly enhanced my journey as a concept artist and illustrator was the study of basic design principles. Our dedicated lecturers taught us how shapes and colors can determine the composition of art, creating different volumes, depths, perspectives, and points of view that interact to produce intriguing effects and elicit responses from viewers. They offered practical examples and techniques to infuse our artwork with stories and emotions, making it more captivating.

Upon graduating, I embarked on a fulfilling career as a concept artist, relishing the role it played in the animation pipeline. Managing the pre-production phase and the flexibility it offered, such as brainstorming character ideas, was particularly enjoyable. Simultaneously, I didn’t want to abandon my passion for illustration. Initially, it began as a side project, but it soon evolved into accepting commissions for video game characters, especially those from popular games like World of Warcraft, Final Fantasy XIV, Dungeons and Dragons, and many others. I take great pride in these commissions, especially as an avid MMORPG player myself. The characters I create become a part of me, and in some cases, they embody aspects of my own identity. Crafting art that allows people to represent themselves, whether in fiction or reality, is a tremendous honor.

In conclusion, I wholeheartedly recommend Universitas Pelita Harapan as a place that nurtures and empowers students to expand their knowledge and skills. My time here was an unforgettable experience, and I am grateful for the opportunity. Thank you for having me.

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“See” October 2023

Our Newsletter for October 2023 has been published.

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Alumni: Gilbert March

Photo of Gilbert March. Photo Provided by Gilbert March

Gilbert March, class of 2013 in Visual Communication Design with a specialization in Cinematography, works as a Director for Music Videos and Advertisements.

My experience at UPH’s Visual Communication Design (Dkv UPH) has given me an unforgettable journey. The guidance, professors, mentors, and other staff members were incredibly helpful in helping me understand the importance of relationships and communication. Not only that, but a comfortable environment plays a significant role in allowing us to focus on our work. The excellent facilities enabled us to practice and create, and equally important, the friendships that supported, assisted, and taught me how to collaborate in completing tasks.

Many things left an impression because all the Cinematography courses heavily relied on teamwork. We were highly encouraged to tolerate and respect each other’s opinions. This made our work not just a personal endeavor but a collective creation.

Learning at UPH has been immensely beneficial to my career in the industry because it has enabled me to provide solutions to problems, particularly in film production. It has honed my ability to think creatively and swiftly, allowing me to seamlessly incorporate idealistic elements into video presentations.

I recommend this program to those who want to develop their talents and find their identity. Everything taught here has a significant impact on those who want to enter the workforce. It’s not just about readiness for work; it will also refine your identity. Thank you to UPH for educating and honing me to this point.

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UPH VCD Goes to Sekolah Lentera Harapan Curug

On Saturday, September 23, 2023, UPH VCD (Visual Communication Design) visited Lentera Harapan Curug School to hold an academic showcase for the students. In addition to the academic showcase, one of the UPH VCD lecturers, Naldo Yanuar Heryanto, S.Sn., M.T., conducted a character design workshop for students who are interested in the field of visual communication design. The presence of UPH VCD at Lentera Harapan Curug School was warmly welcomed and met with enthusiasm by the students. Thank you for having us at Lentera Harapan Curug School, and we look forward to meeting again on another occasion.

Naldo Yanuar Heryanto, S.Sn., M.T. giving a workshop on character design
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Alumni: Evan Wijaya

Photo of Evan Wijaya. Photo Provided by Evan Wijaya

My name is Evan Wijaya, and I’m a graphic designer. I entered Universitas Pelita Harapan in 2013 and graduated in 2017.

UPH provided me with a strong foundation in design. Back then, I knew nothing about design, and frankly, I was quite afraid of falling behind other students who I presumed already knew one or two things. Thankfully, the curriculum and the lecturers were very helpful in guiding me through the lessons.

I truly appreciate how the lessons didn’t only focus on hard skills but, more importantly, on soft skills as well. The early semesters were truly eye-opening to me as I got to know the basics that I still often rely on today, such as basic layout design, typography, and design thinking. The impact these lessons had on me was very substantial.

The three and a half years helped shape my interest in pursuing a career in the design world and introduced me to outstanding colleagues. The entire experience of studying at UPH practically made me who I am professionally today.

Evan Wijaya is an Indonesia-based graphic designer with a passion for graphic design in films, film production design, and set design. Movies and pop culture are his driving force in entering the field of graphic design. However, he often draws inspiration from subjects related to history, culture, art, science, myth, and fantasy. When it comes to design, he values great attention to detail.

Evan has received several recognitions, including the Indonesian Graphic Design Award 2 in the Typography Category (2014) and the Grand Prize Winner of the Adobe Hidden Treasures: Bauhaus Dessau competition (2018). He has collaborated with various brands and production companies, such as Sejauh Mata Memandang, Miles Films, Starvision, Palari Films, Wahana Kreator, and Base