Ronaldo K. Dinguamah

Photo of Ronaldo K. Dinguamah

My name is Ronaldo Kilimandu Dinguamah, but please call me Ronnie. I graduated in 2017 with a degree in Animation. Currently, I work as a Key Lighting Artist and occasionally undertake freelance projects in Lighting, Rendering Architecture, and Motion graphics.

I had no artistic background or experience prior to university, so I faced many challenges with the lessons initially. However, with God’s grace, my teachers’ guidance, and my friends’ support, I was able to acquire enough skills to join the international Animation Industry. I was fascinated by all the courses that involved animation. They enabled me to create animation from the initial concept to the final post-production. These courses taught me the steps of making an animation, which equipped me for the industry.

The curriculum of the creative industry, especially Animation, is hard to keep up with the current industry trends because technology changes rapidly. That is why UPH excels at teaching students the fundamental and conceptual aspects of design, especially the “design thinking” concept. This concept assists me in my work because it is not just about making “pretty” pictures, but about conveying a message with visual elements.

I think UPH is an excellent choice for students who aspire to learn how to think like designers. UPH helps you comprehend the design and animation principles in a holistic way, enhancing your design abilities. UPH also has remarkable lecturers who are passionate about the industry and their students’ education. If you seek to learn the basics and get support from qualified lecturers, I highly recommend UPH.


Allow me to introduce myself. My name is Ronaldo Kilimandu Dinguamah, but you can call me Ronnie for short. In 2017, I delved into the world of creative design and pursued my studies in DKV UPH, with a keen focus on animation. Following my graduation, I embarked on a thrilling freelance journey in the advertising industry for six months, all while crafting my portfolio. In early 2021, I landed a position as a Lighting and Compositing artist at Pixel Zoo, an animation studio based in Brisbane, Australia. My expertise in 3D lighting and compositing has been instrumental in bringing to life several animation series or movies, including the likes of LOL Surprise, Rainbow High, and Mermaze, to name a few. Despite my specialization, I never lost my love for the traditional arts of drawing and painting, which continue to inspire and fuel my creative passions.

Alumni: Vanessa Leoni

Photo of Vanessa Leoni. Photo Provided by Vanessa.

Hello, let me introduce myself. I’m Vanessa Leoni, an alumna of the 2019 class of DKV UPH, specializing in Graphic Design. Currently, I work as a Packaging Designer at a company in the FMCG industry.

During my time at UPH, I felt my design skills develop significantly, thanks to the guidance of the DKV UPH professors who always supported me during the learning process. When I initially joined DKV, I faced some challenges in adapting to the assigned tasks, but over time, I became more accustomed to it and learned to manage my time effectively. As the semesters progressed, I realized that the course material started with fundamental concepts and gradually became more complex, resembling real-world projects in the industry.

One of the courses that had a significant impact on me was the main studio 3. During a full semester, DKV students collaborated with students from the food technology program to create innovative product packaging. The design process started with product analysis, selecting the appropriate packaging materials, designing brand identities, creating packaging designs, and developing social media and e-commerce product sales designs. Throughout this course, I learned numerous new aspects, such as how to create packaging designs that not only prioritize aesthetics but are also producible and represent the concept of the product being sold.

My education definitely helped me in the industry. Because the steps taken to complete assignments provide a real-world glimpse of what you’ll do in the industry. With each passing semester, projects were not only individually resolved but also involved external parties to provide design objectives, test the effectiveness of the design, and evaluate it.

Studying at DKV UPH is not limited to classroom learning. There are many design-related activities outside of class that can be participated in. For example, joining the “BEDA’KAN” (Redesigning Packaging) initiative where students redesign packaging for selected MSMEs. This not only adds to your experience but also teaches students how to communicate directly with MSMEs, known as clients in the professional world. Furthermore, DKV UPH maintains high standards, allowing students to produce high-quality work.

There’s no such thing as limitations in design; that’s why you should unleash all your ideas and continue creating work that can be seen by many people!

IMOVICCON 2023

From October 31 to November 1, 2023, VCD UPH (Visual Communication Design, Universitas Pelita Harapan) participated in the International Moving Image Cultures Conference (IMOVICCON) 2023 at Multimedia Nusantara University. This event is a scholarly conference that also showcases various moving image works. Over these two days, besides being a partner in organizing the event, VCD UPH had faculty members and students presenting their research findings or designs in panels attended by participants from various institutions and countries. We would like to express our gratitude to the Film Program at Multimedia University for their exceptional collaboration. Hopefully, we can engage in more exciting collaborations in the future.

VCD UPH Lecturers at IMOVICCON 2023 Day One
VCD UPH Lecturers and Students after the Closing of IMOVICCON 2023 Day Two

VCD UPH Goes to SDH Kupang

On Friday, October 27, 2023, VCD UPH visited Dian Harapan School (SDH) in Kupang. This visit was part of conducting a character design workshop for the high school students of SDH Kupang. The workshop provided materials on understanding shape language commonly used in designing characters in a simple manner. Thank you to SDH Kupang for the warm welcome and enthusiasm. We hope to meet again in the future.

SDH Kupang Students Working on Their Character Design Worksheet
Photograph With all Participants from the First Session
Photograph With all Participants from the Second Session

Visit from UKDW

On Wednesday, October 25, 2023, VCD UPH received a visit from the Studi Humanitas Program of Duta Wacana Christian University (UKDW) for a comparative study. During the event, both study programs got to know each other and shared information about their respective study activities.

Brian Alvin Hananto, VCD UPH’s Department Chair Presenting the Department Vision & Mission
Visit to the Printmaking Lab
Visit & Discussions in the Photography Lab

Thank you to the Humanities Study Program for visiting VCD UPH. We hope that in the future, good relationships and collaborations can be established between the two study programs, especially for our students.

Typolog 2023 Webinar 3 Recap

On Friday, October 20, 2023, the Graphic Design specialization at UPH conducted the Typolog 3 Webinar with an alumni speaker from VCD UPH itself, Fredella Agatha. In this event, Fredella shared her experience in designing the ‘Pantjoran’ lettering as her final project. Fredella explained the process and also shared tips on lettering design with all the webinar participants.

Fredella Agatha, The Speaker for the Webinar, and Yolanda Tumilisar, The Moderator for the Webinar

In addition to Fredella’s sharing session, the Typolog 3 Webinar also featured the announcement of the winners of the Typolog 2023 competition. The Typolog 2023 competition challenged participants to create designs in the Tote Bag format, which would later be produced as merchandise by VCD UPH. The grand winner of the Typolog 2023 competition was Tiara Kiatama, a student of VCD UPH from the 2022 batch. Meanwhile, the favorite winner of the Typolog 2023 competition was Joshlyn Tee from UPH College.


“Berbeda-beda Tetapi Tetap Satu” by Tiara Kiatama

This work emerged from the exploration of the definition of “Nusantara,” which is a synonym for describing the unity of the Unitary State of the Republic of Indonesia introduced by Ki Hajar Dewantara in 1950. Nusantara refers to the unity of several islands, which I combined with Indonesia’s official motto, “Bhineka Tunggal Ika,” which means “Diverse But One.” The diversity of Indonesia, comprising various provinces, ethnicities, cultures, and religions, is the uniqueness of the Indonesian nation itself.

This concept resulted in this work, a collection of diverse typefaces, yet still displaying the number one. Diversity was also achieved through the use of different colors, but there was still a unifying element, including its placement within a text “box.”

This is my interpretation of the theme ‘Nusantara’ provided.


“The title of this work is Nusantara. This typographic work is inspired by the cultural diversity of Indonesia and draws inspiration from the art of wayang puppetry. Each letter in the word ‘Nusantara’ is inspired by the different shapes and styles of wayang characters. I attempted to incorporate the unique features and characteristics of various wayang characters into each letter. I also used wayang puppet heads in some of the letters. I played with the thin and thick aspects of the wayang figures and used them in letter composition to create an engaging design.

I created each letter’s sketch individually and drew inspiration from the trendy ‘molten chrome typography’ and sharp typography seen on various social media platforms because I believed this style was suitable for the wayang aesthetics. In the modern world, we often get caught up in new trends and things happening around us, and we tend to forget our rich and diverse culture. So, I incorporated trendy typography styles like combining different font styles into one text and experimenting with the typography composition to make Indonesian culture modern and trendy.”



Thank you to all participants, organizers, and everyone who participated during the Typolog 2023 event. Hopefully, we can meet again in Typolog or other activities.

Alumni: Glory Josephine Immanuela

Photo of Glory Josephine Immanuela. Photo Provided by Glory Josephine Immanuela.

Hi, let me introduce myself. My name is Glory Josephine Immanuela, but I’m commonly called Goi. I’m an alumna of DKV UPH, specializing in Graphic Design, from the class of 2016. Up to this day, I’m working on a business that my friend and I founded back in 2018 during our time at university, which is a custom artwear venture called Rupa Cerita (located in Bogor).

My current opportunities and abilities are closely tied to the 3.5 years of education I received at DKV UPH. I’ve always considered my time in college as an incredible blessing from God because the knowledge, activities, opportunities, and campus facilities equipped me from various aspects. This included a highly comprehensive design discipline, knowledgeable professors, a library with quality reference books, insights into job opportunities for designers in the current design industry (both nationally and internationally), the opening of connections and job prospects, well-equipped design labs and computers, and simulations of the role of design within the broader community.

While nearly all the courses I took were memorable, and I still recall the ups and downs, there’s one moment in the Experimental Typography course that I’ll never forget. During my studies, I went through an identity crisis, finding it challenging to follow and adapt to the main task of graphic designers, which is to systematically, structurally, and measurably address communication problems with visuals. Perhaps my visual style was more dynamic, and not all creative briefs suited my approach. This created the impression that I might never meet the industry’s needs, and I felt that the industry would forever be boring and stressful. However, in the Experimental Typography class, the emphasis was on the level of exploration of typography, layout, and animation. And at one point, when the Head of the Department, Mr. Alfiansyah Zulkarnain, visited the class, he uttered a simple sentence, “Wow, this font is so Goi.” That’s when I felt understood and accepted. Finally, my self-confidence began to grow, allowing me to explore my own design character.

I’m grateful for the knowledge of Graphic Design that I gained at DKV UPH. It not only influenced my visual work but also my everyday life and work. Project and time management skills were greatly honed when working in teams, preparing me to deal with various individuals in the industry.

I will always recommend DKV UPH to young creatives who want to study design because at DKV UPH, you can learn from highly experienced professors who are still active in the design industry. The supportive facilities and environment are among the key factors in the development of students.

“For me, success isn’t about meeting the standards the world sets, but about developing one’s talents and fulfilling one’s own God-given calling to the best of one’s ability. That alone is sufficient.”

Typolog 2023 Webinar 3 with Fredella Agatha

Typolog 2023 is hosting its third webinar of the year titled “Behind the Scenes of the ‘Pantjoran’ Display Type Design with Fredella Agatha.” Fredella Agatha is one of the alumni from VCD UPH who chose a type design project as her final project. Now, she’s returning to share her experiences in the Typolog 2023 webinar.

This webinar will take place on October 20, 2023, from 7:00 PM to 9:00 PM WIB (Western Indonesia Time). Please register through https://bit.ly/RegistrasiTypologSesi3.

UPH VCD Goes to Sekolah Lentera Harapan Curug

On Saturday, September 23, 2023, UPH VCD (Visual Communication Design) visited Lentera Harapan Curug School to hold an academic showcase for the students. In addition to the academic showcase, one of the UPH VCD lecturers, Naldo Yanuar Heryanto, S.Sn., M.T., conducted a character design workshop for students who are interested in the field of visual communication design. The presence of UPH VCD at Lentera Harapan Curug School was warmly welcomed and met with enthusiasm by the students. Thank you for having us at Lentera Harapan Curug School, and we look forward to meeting again on another occasion.

Naldo Yanuar Heryanto, S.Sn., M.T. giving a workshop on character design

Alumni: Evan Wijaya

Photo of Evan Wijaya. Photo Provided by Evan Wijaya

My name is Evan Wijaya, and I’m a graphic designer. I entered Universitas Pelita Harapan in 2013 and graduated in 2017.

UPH provided me with a strong foundation in design. Back then, I knew nothing about design, and frankly, I was quite afraid of falling behind other students who I presumed already knew one or two things. Thankfully, the curriculum and the lecturers were very helpful in guiding me through the lessons.

I truly appreciate how the lessons didn’t only focus on hard skills but, more importantly, on soft skills as well. The early semesters were truly eye-opening to me as I got to know the basics that I still often rely on today, such as basic layout design, typography, and design thinking. The impact these lessons had on me was very substantial.

The three and a half years helped shape my interest in pursuing a career in the design world and introduced me to outstanding colleagues. The entire experience of studying at UPH practically made me who I am professionally today.


Evan Wijaya is an Indonesia-based graphic designer with a passion for graphic design in films, film production design, and set design. Movies and pop culture are his driving force in entering the field of graphic design. However, he often draws inspiration from subjects related to history, culture, art, science, myth, and fantasy. When it comes to design, he values great attention to detail.

Evan has received several recognitions, including the Indonesian Graphic Design Award 2 in the Typography Category (2014) and the Grand Prize Winner of the Adobe Hidden Treasures: Bauhaus Dessau competition (2018). He has collaborated with various brands and production companies, such as Sejauh Mata Memandang, Miles Films, Starvision, Palari Films, Wahana Kreator, and Base